"G. R. Thompson's Poe's Fiction: Romantic Irony in the Gothic Tales shook up academic scholarship by revealing the profound impact on Poe of the German Romantics and their mockery of conventional beliefs. From them, Poe acquired not just a literary fondness for parody and hoaxing but also a deeply skeptical view of the universe as deceptive, perverse, and chaotic. Such writers as Schlegel, Tieck, and Hoffmann helped Poe devise a playful way to confront the abyss of unbelief-by composing dark, defiantly ironic narratives. That perspective now forms an axiom of Poe criticism."
-J. Gerald Kennedy, Boyd Professor of English, Louisiana State University, and author of Strange Nation: Literary Nationalism and Cultural Conflict in the Age of Poe.
"If Richard Wilbur's revolutionary 'Introduction' (1962) taught us to read Poe's poetry, early and late, as 'Cosmic in extent' . . . then surely G.R. Thompson's penetrating analysis of Poe's 'Romantic Irony' tells us exactly how to read the troublesome 'gothic' tales that come between."
-Michael J. Colacurcio, Distinguished Professor of English, UCLA, and author of The Province of Piety: Moral History in Hawthorne's Early Tales.
