"Vintage gems. . . . Overlooked and underappreciated mystery stories from the nineteenth and early twentieth centuries."
--Sarah Weinman, The New York Times Book Review ★ "Stellar collection of 13 classic stories from lesser-known authors. . . . Throughout, Sims's choices, which showcase his encyclopedic knowledge of mystery fiction, range from good to great, and place welcome focus on the historic contributions of women to the genre. Even the most well-read mystery fans have good reason to check this out."
--Publishers Weekly (starred review) "Little-known whodunits, several of them published long before Sherlock Holmes first appeared...Sims is a kind of literary archaeologist, unearthing half-buried treasure."
--Michael Dirda, Washington Post "A must-read for any classic murder mystery fan."
--Town & Country "A deliberately broad cross-section . . . including a near-equal mix of male and female authors of varied backgrounds. . . . These contemporaries of Poe, Collins, and Doyle . . . created clever, memorable characters who employed the technologies of their era, thrilling readers with the awful crime, the cat-and-mouse chase, and the triumph of order over chaos."
--Chris Scott, Chapter 16 "Entertaining, wide-ranging anthology . . . . Includes stories never before reprinted, rebellious early female detectives, and spotlights former stars of the crime field."
--Pamela Brown, The North Salem Post
"All the stories are by writers who, for the most part, remain either overlooked or underappreciated. . . . . Some stories are especially obscure and appear here in print for the first time since their original publication. . . . All show how the genre developed, with each writer introducing key ingredients that have become standard components. . . . Tension and excitement build to a neat denouement that brings, if not justice, then some semblance of resolution. . . . [Authors include] Pulitzer Prize winner Ellen Glasgow and pioneer black writer Charles W. Chesnutt. Both are welcome but surprise additions, as neither author is associated with the crime genre. Their respective stories -- one examining ethical killing, the other the consequences of race murder -- constitute fascinating forays into new territory."
--Malcolm Forbes, Washington Examiner 
